Santa Fe Trail: Errol Flynn, Olivia de Havilland Raymond Massey, Ronald Reagan (1940 Movie)
DVD: amazon.com thefilmarchive.org Santa Fe Trail is a 1940 western film directed by Michael Curtiz and starring Errol Flynn and Olivia de Havilland. The film was one of the top-grossing films of the year, being the seventh Flynn-de Havilland collaboration. The film also has nothing to do with its namesake, the famed Santa Fe Trail except that the trail started in Missouri. Instead, it follows the life of JEB Stuart, a cavalry commander (and future Confederate Army general). The outdoor scenes were filmed at the Lasky Movie Ranch, on the Lasky Mesa area of the Simi Hills in the western San Fernando Valley. One can visit the film location site, now in the very large Upper Las Virgenes Canyon Open Space Preserve (aka Ahmanson Ranch), with various trails to the Lasky Mesa locale. The film purports to follow the life of JEB Stuart (Errol Flynn) before the outbreak of the American Civil War. Among its sub-plots are a romance with the fictional Kit Carson Holliday (Olivia de Havilland), friendship with George Armstrong Custer (Ronald Reagan), and battles against abolitionist John Brown (Raymond Massey). The movie significantly differs from the actual details of Stuart's life. For instance, Stuart is depicted as having been classmates at West Point Academy with Custer and others, who on graduation were appointed to Fort Leavenworth, Kansas. In reality, Custer was admitted to West Point in 1858, four years after Stuart graduated in 1854. Custer graduated in 1861 after the ...
The Beverly Hillbillies: Jethro's First Love - Season 2, Episode 6 - Sharon Tate (1963)
thefilmarchive.org DVD: amazon.com October 30, 1963 Jethro develops feelings for an exotic dancer named Chickadee, and brings her home to meet the folks. Sharon Marie Tate (January 24, 1943 -- August 9, 1969) was an American actress. During the 1960s she played small television roles before appearing in several films. After receiving positive reviews for her comedic performances, she was hailed as one of Hollywood's promising newcomers and was nominated for a Golden Globe Award for her performance in Valley of the Dolls (1967). She also appeared regularly in fashion magazines as a model and cover girl. Married to film director Roman Polanski in 1968, Tate was eight and a half months pregnant when she and her unborn child were murdered in her home, along with four others, by followers of Charles Manson. A decade after the murders, Tate's mother, Doris, in response to the growing cult status of the killers and the possibility that any of them might be granted parole, organized a public campaign against what she considered shortcomings in the state's corrections system. It resulted in amendments to the California criminal law in 1982, which allowed crime victims and their families to make victim impact statements during sentencing and at parole hearings. Doris Tate was the first person to make such an impact statement under the new law, when she spoke at the parole hearing of one of her daughter's killers, Charles "Tex" Watson. She believed changes in the law had ...
Franz Liszt - Ave Maris Stella Lynne Dawson & Claudio Brizi Live in Kusatsu 2011
Franz Liszt Ave maris stella S.680 from 2 Kirchenhymnen Soprano: Lynne Dawson Harmonium-Célesta Mustel (1897): Claudio Brizi 2011 August 28th - Live recording. Kusatsu International Summer Music Academy -- Japan Sound Engineer: Yasuhisha Takashima
Ludwig van Beethoven - Canons - Epigrams - Jokes - Part 2/4
Berliner Solisten: Thomas Franke, Hermann Franke, Günter Wasch, Clarinet. Wolf-Dieter Batzdorf, Bernd Niedermayr, Christian Lukasz, Johannes Kittel, Violin. Walter Klier, Manfred Pernutz, Double Bass. Walter Olbertz, Piano. Kammerchor der Berliner Singakademie Conceptual and Artistic Preparation, Chorusmaster and Director: Dietrich Knothe. Gesang der Mönche from Schiller's "Wilhelm Tell" -- Ich war hier, Doktor, ich war hier, WoO 190 Riddle canon a 2 -- Signor abate, WoO 178 Canon a 3 -- Kurz ist der Schmerz, und ewig ist die Freude WoO 163 Canon a 3 -- Hol'euch der Teufel! B'hüt euch Gott!, WoO 173 Riddle canon a 2 -- Gott ist eine feste Burg, WoO 188 Riddle canon a 2 -- Sankt Petrus war ein Fels/Bernardus war ein Sankt, WoO 175 Riddle canon a 4 -- Tugend ist keinleerer name, WoO 181 No. 3 Canon a 3 -- Edel sei der mensch, hüllfreich und gut, WoO 185 Canon a 6 -- Bester Magistrat, Ihr friert, WoO 177 Canon for 2 male voices and 2 double basses -- Kühl, nicht leu, WoO 191 Canon a 3 -- Wir irren allesamt, WoO 198 Riddle canon a 2 - Auf einen, welcher Schwenke geheissen: "Schwenke dich ohne Schwänke" WoO 187 Canon a 4 -- Brauchle, linke, WoO 167
I. Henry Desmarets: Usquequo Domine / Les Arts Florissants
Playlist: youtube.com Henri Desmarets, 1661 - 1741 • Usquequo DomineAmel Brahim-Djelloul, soprano Emmanuelle de Negri, soprano Toby Spence, tenor Cyril Auvity, tenor Marc Mauillon, baritone Alain Buet, bass Les Arts Florissants Conducted William Christie The original uploader of this concert was Mehdicaps (now MehdicapsII). I will remove this videos immediately when he decides to re-upload this Beauty. :)
II. Henry Desmarets: Usquequo Domine / Les Arts Florissants
Playlist: youtube.com Henri Desmarets, 1661 - 1741 • Usquequo DomineAmel Brahim-Djelloul, soprano Emmanuelle de Negri, soprano Toby Spence, tenor Cyril Auvity, tenor Marc Mauillon, baritone Alain Buet, bass Les Arts Florissants Conducted William Christie The original uploader of this concert was Mehdicaps (now MehdicapsII). I will remove this videos immediately when he decides to re-upload this Beauty. :)
This is my first ever arrangement and I did this because I thought someone would at least try to attempt this. Haha, I had to listen to like 4 different versions of Hallelujah to arrange it exactly the way I wanted it. But since it's just a demo, I didn't put any dynamics. I don't exactly plan to either cuz I'm lazy :P. Update: Hahaha, I knew the day that people would ask for it would come. This is the score and I'm in the process of making the seperate parts. Pg. 1 - i55.photobucket.com Pg. 2 - i55.photobucket.com Pg. 3 - i55.photobucket.com Pg. 4 - i55.photobucket.com Pg. 5 - i55.photobucket.com Pg. 6 - i55.photobucket.com Pg. 7 - i55.photobucket.com Pg. 8 - i55.photobucket.com Pg. 9 - i55.photobucket.com Pg. 10 - i55.photobucket.com Pg. 11 - i55.photobucket.com Pg. 12 - i55.photobucket.com Pg. 13 - i55.photobucket.com Update: I stumbled upon my sheet music seperates. 1st Violin: Pg. 1 - i341.photobucket.com Pg. 2 - i341.photobucket.com 2nd Vioin: Pg. 1 - i341.photobucket.com Pg. 2 - i341.photobucket.com Cello: Pg. 1 - i341.photobucket.com Pg. 2 - i341.photobucket.com Contrabass/Bass: Pg. 1 - i341.photobucket.com Pg. 2 - i341.photobucket.com (I am sorry to my fellow viola players, for I never made a seperate viola part since. Though it does have an important solo, so if you do plan on playing it with a full orchestra, please try to include the viola part.)
Agustí Fernández & Jo Krause - Too many sticks ("De Prop", C33, 23-9-2010)
The Majorcan pianist Agustí Fernández (1954) is an improviser. The German drummer Jo Krause (1963) is a jazz musician. More information and contact here: myspace.com The gig is from "De Prop", "C33", Catalan Television, 23-9-2010. THANKS VERY MUCH, moltes gràcies.
JS Bach - Brandenburg Concerto No.5 BWV 1050 in D major, I. Allegro
Brandenburg Concerto No. 5 in D major, I. Allegro [BWV 1050] by Johann Sebastian Bach (1685-1750) Probably performed by: Swiss Baroque Soloists Harpsichordist, Giorgio Paronuzzi My favourite interpretation of this masterpiece. Enjoy it :) Danke Joh. Seb. Bach!
TOMASO GIOVANNI ALBINONI (1671-1751) Sonata a cinque for two violins, two violas, and basso continuo in C major Op. 2 No. 2 1. Largo 2. Allegro 3. Grave 4. Allegro Performed by Ensemble 415 Directed by Chiara Banchini *Tomaso Giovanni Albinoni was a Venetian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, some of which is regularly recorded. Born to Antonio Albinoni, a wealthy paper merchant in Venice, he studied violin and singing. Relatively little is known about his life, especially considering his contemporary stature as a composer, and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian Pietro, Cardinal Ottoboni (grand-nephew of Pope Alexander VIII); Ottoboni was an important patron in Rome of other composers, such as Arcangelo Corelli. Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua, to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Cosimo III de' Medici, Grand Duke of Tuscany. In 1705, he was married; Antonino Biffi, the maestro di cappella of San Marco was a witness, and evidently was a friend of Albinoni's. Albinoni seems to have no other connection with that primary musical establishment in Venice, however, and achieved his early fame as an opera composer at many cities in Italy, including ...
TOMASO GIOVANNI ALBINONI (1671-1751) Sonata a cinque for two violins, two violas, and basso continuo in G Minor Op. 2 No. 6 1. Adagio 2. Allegro 3. Grave 4. Allegro Performed by Ensemble 415 Directed by Chiara Banchini *Tomaso Giovanni Albinoni was a Venetian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, some of which is regularly recorded. Born to Antonio Albinoni, a wealthy paper merchant in Venice, he studied violin and singing. Relatively little is known about his life, especially considering his contemporary stature as a composer, and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian Pietro, Cardinal Ottoboni (grand-nephew of Pope Alexander VIII); Ottoboni was an important patron in Rome of other composers, such as Arcangelo Corelli. Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua, to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Cosimo III de' Medici, Grand Duke of Tuscany. In 1705, he was married; Antonino Biffi, the maestro di cappella of San Marco was a witness, and evidently was a friend of Albinoni's. Albinoni seems to have no other connection with that primary musical establishment in Venice, however, and achieved his early fame as an opera composer at many cities in Italy, including ...
Beethoven / Artur Balsam, 1952: Piano (Violin) Concerto in D major, Op. 61a - Complete
Note: Shortly after I uploaded the first movement of this work in late December 2010, YouTube granted me the privilege of considerably longer video transfers. Rather than upload the second movement separately (the third movement has been on YouTube for some time), I have consolidated all three movements into this single video presentation. ----------------------------------------------------- Perhaps due to his Violin Concerto's lack of success at its premiere, Beethoven revised it in a version for solo piano and orchestra, which was later published as Opus 61a. Artur Balsam (1906-1994) performs the piano version in this recording from the early 1950s with Clemens Dahinden conducting the Winterthur Symphony Orchestra. This LP wasissued on the Concert Hall Society label, serial number CHF-10. Movement 1: Allegro ma non troppo Movement 2: Larghetto (23:13) Movement 3: Rondo (32:45) The Library of Congress catalog entry for this LP is available for review here: lccn.loc.gov ----------------------------------------------------------------------------- More from Artur Balsam: Haydn / Artur Balsam: Sonata No. 14 in C, Hob. XVI/3 - Allegretto - 1967: youtube.com Haydn / Artur Balsam: Sonata No. 13 in G, Hob. XVI/6 - Allegro - 1967: youtube.com ----------------------------------------------------------------------------- If you enjoy Beethoven you may be interested in the following: Beethoven / Bella Davidovich, 1979: Moonlight Sonata, Op. 27, No. 2 (Allegretto, Presto ...
Beethoven / Artur Balsam, 1952: Piano (Violin) Concerto in D major, Op. 61a - Movement 1
You can now listen to this entire concerto, uninterrupted, here: youtube.com ------------------------------------------------------------------------------ Perhaps due to his Violin Concerto's lack of success at its premiere, Beethoven revised it in a version for solo piano and orchestra, which was later published as Opus 61a. Artur Balsam (1906-1994) performs the piano version in this recording from the early 1950s with Clemens Dahinden conducting the Winterthur Symphony Orchestra. This LP wasissued on the Concert Hall Society label, serial number CHF-10. All images used to create this video were taken from the LP label (4:54) and jacket, front (17:03) and reverse. Extensive notes from the reverse side of the LP jacket, and the lengthy cadenza for piano and drums, begin at 17:30. Movement 1: Allegro ma non troppo Movement 3: youtube.com The Library of Congress catalog entry for this LP is available for review here: lccn.loc.gov More from Artur Balsam: Haydn / Artur Balsam: Sonata No. 14 in C, Hob. XVI/3 - Allegretto - 1967: youtube.com Haydn / Artur Balsam: Sonata No. 13 in G, Hob. XVI/6 - Allegro - 1967: youtube.com ----------------------------------------------------------------------------- If you enjoy Beethoven you may be interested in the following: Beethoven / Sviatoslav Richter / Kurt Sanderling, 1962: Piano Concerto in C minor, Op. 37 - Complete - youtube.com Wilhelm Backhaus: Sonata in C sharp minor, Op. 27, No. 2 - Moonlight (Complete ...
Beethoven Symphony 5 - Arturo Toscanini - Second Movement
Beethoven Symphony No.5 in C Minor, Op 67 2° MOVEMENT Orchestra: BBC Symphony Orchestra Director: Arturo Toscanini --- 1° MOVEMENT youtube.com 2° MOVEMENT youtube.com 3° 4° MOVEMENT (part1) youtube.com 3° 4° MOVEMENT (part2) youtube.com --- Listen to radio stations from your browser toolbar-radio.com World version --- Digital Remastering of 78 RPM Records Only Classical Music Public Domain PromoClassical Copyright reserved
??? ????????? ?????????? ????? 19 ???????? ????? Oda Slobodskaya Odali Careno Frédéric Chopin - Nineteen Polish Songs Frederick Stone - Piano 1.Czary 1.Charms Op.Posth. 2.Dumka 2.Dirge Op.Posth 3.Zyczenie 3.The Wish Op.74/1 4.Wiosna 4.Spring Op.74/2 5.Smutna Rzeka 5.Sad River Op.74/3 6.Hulanka 6.Merrymaiking Op.74/4 7.Gdzie lubi 7.Where her flame is Op.74/5 8.Precz z moich oczu 8.Out of my sight Op.74/6 9.Posel 9.The envoy Op.74/7 10.Sliczny chlopiec 10.Handsome guy Op.74/8 11.Melodya 11.Melody Op.74/9 12.Wojak 12.The Warrior Op.74/10 13.Dwojaki koniec 13.The double end Op.74/11 14.Moja pieszczotka 14. My Darling Op.74/12 15.Nie ma czego trzeba 15.I don't have what I need Op.74/13 16.Pierscien 16.The ring Op.74/14 17.Narzeczony 17.The Fiance Op.74/15 18.Piosenka Litewska 18.Lithuanian Song Op.74/16 19.Spiew grobowy 19.Graveyard Song Op.74/17 Poems: 1,3-7,9,12,16,17 - Stefan Witwicki 2,10,13,15 - Bohdan Zaleski 8,14 - Adam Mickiewicz 11 - Zygmunt Krasinski 18 - Ludwik Osinski 19 - Wincenty Pol
Part 7. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Moira Fogerty. Playlist for Emma by Jane Austen: youtube.com
Chapter 54. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Stewart Wills. Playlist for Moby Dick by Herman Melville: youtube.com
Adventure 03 - The Memoirs of Sherlock Holmes by Sir Arthur Conan Doyle
Adventure 03: The Stock-Broker's Clerk.Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Eric Leach.? Playlist for The Memoirs of Sherlock Holmes by Sir Arthur Conan Doyle: youtube.com
Antonio Vivaldi (1678-1741) Concerto for two violins in d minor (RV 565) - Op.3 No.11 Arranged for organ BWV 596 JSBach 1685-1750 Johannes-Ernst Köhler (organ, 1972) 0:00 1a.movement - Allegretto 1:32 1b.movement - Fuga. Moderato 4:57 2.movement - Largo 7:36 3.movement - Allo Modo Vivaldi - Concerto for Two Violins in d, RV 565 youtube.com
Originally composed by Antonio Vivaldi for 2 violins and an orchestra, this was arranged by Johann Sebastian Bach for the organ. I LOVE THIS PIECE TO DEATH :) Unfortunately, the performer of this version is unknown.
Schumann: String Quartet in A minor, Op.41 No.1 mvt I
See more on plushmusic.tv In 1842 Robert Schumann wrote to Clara complaining about the increasing limitations of the piano as a vessel for his ideas, and the need to attack different instruments and genres. What followed was a spectacular year of inspiration that yielded all of his most famous chamber works including the set of three string quartets, of which the A minor is the first. He had studied the great quartets of Mozart, Beethoven and Haydn in depth, simultaneously building up a well of ideas that exploded onto the page in record time. The A minor took just a week to be sketched and formed, and three months and much rehearsal later, recieved its premiere as a gift to Clara on her 23rd birthday. The Merel Quartet performed this to a sold out crowd on a warm summer evening at the Music at Plush festival.
0:19 to skip intro Title of Composition: Two Songs without Words, Op. 22 Composer: Gustav Holst Created in: 1906 Orchestra: City of London Sinfonia Conductor: Richard Hickox Recorded in: 1993 The CD (or MP3) is available for purchase at either Arkivmusic: arkivmusic.com Or at Amazon: amazon.com The CD/MP3 also includes Double Concerto, St. Paul's Suite, Brook Green Suite, and A Fugal Concerto (all of which are also composed by Holst). The images in this video are not my own. The image at 0:22 can be found here: publicdomainpictures.net The image at 1:33 can be found here: publicdomainpictures.net The image at 3:38 can be found here: publicdomainpictures.net The image at 4:36 can be found here: publicdomainpictures.net The image at 6:50 can be found here: publicdomainpictures.net This recording of Two Songs without Words is owned by Chandos Records Ltd.
Spread the word of true greatness. Forward to a friend. Day of Sorrow Sir Winston Churchill 1874 - 1965 I Vow To Thee My Country - Gustav Holst Sir Winston Leonard Spencer-Churchill, KG, OM, CH, TD, PC, DL, FRS (30 November 1874 -- 24 January 1965) was a British politician and statesman known for his leadership of the United Kingdom during the Second World War. He is widely regarded as one of the great wartime leaders. He served as Prime Minister twice (1940--45 and 1951--55). A noted statesman and orator, Churchill was also an officer in the British Army, a historian, a writer, and an artist. To date, he is the only British prime minister to have received the Nobel Prize in Literature, and he was the first person to be made an honorary citizen of the United States.[1] Churchill was born into the aristocratic family of the Dukes of Marlborough. His father, Lord Randolph Churchill, was a charismatic politician who served as Chancellor of the Exchequer; his mother, Jenny Jerome, an American socialite. As a young army officer, he saw action in British India, the Sudan and the Second Boer War. He gained fame as a war correspondent and through books he wrote about his campaigns. At the forefront of politics for fifty years, he held many political and cabinet positions. Before World War I, he served as President of the Board of Trade, Home Secretary and First Lord of the Admiralty as part of the Asquith Liberal government. During the war, he continued as First Lord of the ...
Franz LISZT Consolation No 2, S 172 - Michel Mananes Live Recording
Michel Mañanes study piano in France, Spain and Austria. With recitals for Europa and Southamerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Rachmaninov moment musical. classical concert pianist. michelmananes.com Michel Mañanes has obtained, recently, the University Title of "Expert in Pianistic Interpretation", gotten with "Cum Laudae" by Unanimous vote (International University of Andalusia) The Liszt Consolations are fragments of pure Lisztian life and color. Liszt wrote the consolations around 1849-1850. Nobody's quite sure where the title Consolations comes from - the most likely explanation is that Liszt was inspired by some volume of poetry or other. Liszt had actually had brainwaves for the Consolations a lot earlier than the year of publication (1850). One of them even dates all the way back to 1844! There are 6 Consolations. Since they're so small they sound best when played end-to-end (the tempo indications also suggest this is the proper way to play them), although a lot of pianists choose to only perform one or two. Out of all of them, number 6 is the most appropriate for performance as a standalone piece. The key signatures hardly change from piece to piece, and in fact remind me of a kind of ABA structural arc (first section E Major, second section D-Flat Major, third section E Major). Consolation No.2: Un poco piu mosso (E Major) A gentle, floating melody is framed by ...
Liszt Consolation no. 3 performed on Liszt's 1862 Bechstein Piano
Sandro Russo plays Liszt's Consolation No. 3 on the 1862Bechstein Liszt Piano. FOR THE FIRST TIME EVER, Bechstein piano serial #576, originally delivered to Franz Liszt on March 17, 1862, has arrived in New York. The piano was on display at the Bechstein America corporate headquarters on 58th Street in Manhattan. Ongoing celebrations of this remarkable piece of music history have so far included performances by renowned artists to a sold-out gala tribute to Liszt at Bechstein Centre. In a personal letter penned to Carl Bechstein, Liszt said... "For 28 years I have now used your pianos, and they have maintained their superiority. In a word, your instruments are perfect." Presentation of this famous instrument gave music historians, Liszt lovers, and pianists of all levels and backgrounds a rare opportunity to see an exquisite representation of German handcraftmanship and offered insights into the manufacturing techniques and technology of 19th century piano building. NAMM Booth 209A
III. Intermezzo 3:55 Louis Vierne Symphony No.3 in F sharp minor, Op. 28 David Briggs (organ) Oliver Brett, Oliver Condy (registrants) Recorded on the 1888 Cavalle-Coll organ in the Basilica of St Sernin, Touiouse, 23 & 24 Oct 2008 The BBC Music Magazine collection
MJPires & H.Sermet plays Schubert Fantasie in F minor, op.103 (I)
Maria João Pires and Hüseyin Sermet plays Schubert Fantasia in F minor, D.940 (op.103), for four-hands, one of Schuberts most important piano works, composed in 1828, the last year of his life and dedicated to his pupil and unrequited love, Karoline Esterházy. Schubert began writing the Fantasia in January 1828 in Vienna. The work was completed in March of that year and first performed in May by Schubert and Franz Lachner (1803 - 1890, German composer and conductor). Schubert died in November 1828. Part I: Part II : youtube.com ~~~ Maria João Pires (1944) Born in Lisbon, Portugal, she made her first public performance at the age of seven with Mozarts Piano Concertos. At the age of nine she received Portugals highest award for young musicians just one year later. From 1953 until 1960 she studied at the Lisbon Conservatory with Professor Campos Coelho and took courses in composition, theory, and history of music with Francine Benoit. She continued her studies in Germany, first at the Munich Music Academy with Rosl Schmid, then in Hanover with Karl Engel. Maria João Pires has appeared all over the globe with all the major orchestras including the Berliner Philhar¬moniker, the Boston Symphony Orchestra, the Royal Concertgebouw Orchestra, the London Philharmonic, the Orchestre de Paris, and the Wiener Philharmoniker. She is also a keen performer of chamber music. In recent years she has been heard at all the major international festivals including the Schleswig-Holstein ...
Richter plays Bach: WTC1 No. 13 in F sharp major BWV 858
For more great, scored videos, check out my channel! List of The Welltempered Clavier videos I have uploaded (I will continue to add videos until the list is full!): 1. in C major youtube.com 2. in c minor youtube.com 3. in C# major youtube.com 4. in c# minor 5. in...
JSBach:Prelude and Fugue No.13 F sharp major BWV 882
Johann Sebastian Bach The Well-Tempered Clavier Book 2 1.Prelude 2.Fugue Pieter-Jan Belder...Harpsichord (Cornelis Bom after Ruckers) Rec.2008 Playlist youtube.com
Bach - Brandenburg Concerto No. 4 in G BWV1049 - Mov. 1/3
JOHANN SEBASTIAN BACH (1685-1750) Brandenburg concerto No. 4 for solo violin, two recorders, two ripieno violins, viola, cello, violone, and basso continuo in G major BWV1049 1. Allegro Performed by Concerto Italiano Conducted by Rinaldo Alessandrini *Winner of the Grammaphone editor's Choice award, and the 2006 Grammaphone award for best baroque intrumental recording *Bach adapted the 4th Brandenburg concerto as the last of his set of 6 harpsichord concertos, the concerto for harpsichord, two recorders and strings in F major, BWV 1057.
"Concerto grosso in G minor, Op. 6, No. 8" by Arcangelo Corelli
Corelli's Christmas Concerto played on baroque instruments by the Stevenson High School Baroque Music Ensemble. Unfortunately, our instruments went out of tune shortly before the beginning of the performance. Conductor: Mr. Enrique Vilaseco Violin I Concertato: Yiding Hao Violin I Ripieno: Janet Cheng Violin II Concertato: Justin Doong Violin II Ripieno: Tyler Katz Viola: Mark Zhang and Richard Zhu Cello: Raymon Cao Viola da Gamba: Brian Lin Double Bass: Greg Chonko Harpsichord: Kevin Xu
"Chopin" from Schumann,s "Carnaval" played by Danniela Chuprik
Robert Schumann. German composer and music critic. He made the first comments on the topic of Chopin's music in an enthusiastic review of Variations in B flat major, op. 2, published in Allgemeine Musikalische Zeitung on 7 December 1831. This review contained the famous sentence: 'Gentlemen hats off, [here is] a genius'. The very subtle and poetic interpretation of the piece was not recognised by Chopin, however the two composers did maintain friendly relations, especially during the 1830s. Schumann composed a musical portrait of Chopin in his Carnival and also dedicated Kreisleriana to him, the Polish composer in turn dedicated his Ballade in F major to Schumman. Schumann published numerous and invariably enthusiastic discussions of Chopin's works in his Neue Zeitschrift für Musik (among others: May 1836: Piano Concertos; December 1837: Etudes, op. 25; December 1838: Impromptu op. 29, Mazurkas op. 30, Scherzo op. 31; 1841: Sonata in B flat minor). These reviews sometimes kept in the form of a dialogue are written in a poetic language typical of the time and above all underline the novelty as well as individuality of Chopin's style. He often calls Chopin's pieces 'tremendous' or 'awe-inspiring' and occasionally compares them to works of other composers he valued highly such as Beethoven or Schubert. Critical aspects appear only as a matter of exception in Schumann's reviews (finale of Sonata in B flat minor). Valuable comments regarding Chopins creativity and works are ...
SPANISCHES LIEDERSPIEL, OP. 74 • CALHOUN HIGH SCHOOL CHOIR
From Merrick, NY: The 1970 Sanford H. Calhoun High School Choir (S. Talbot Thayer, Director) performs the SPANISCHES LIEDERSPIEL, Op. 74 of Robert Schumann. On this video: SPANISCHES LIEDERSPIEL Op. 74 (Sung in German) —series of 10 love songs with texts from Spanish poems— I. First Meeting (Soprano and Alto) II. Intermezzo (Tenor and Bass) III. Love's Grief (Soprano and Alto) IV. In the Night (Soprano and Tenor) V. It is Revealed (Soprano, Alto, Tenor and Bass) VI through X will be in the next video.
Mike Viola and Todd Foulsham record the super-exclusive theme song to "Ding Dong... You're Wrong" on a February 1998 night backstage at TT the Bear's in Cambridge, Massachusetts.
I do not own anything. Great Lyrics ! Yeah I know sometimes things may not always make sense to you right now But hey, what daddy always tell you? Straighten up little soldier Stiffen up that upper lip What you crying about? You got me.. Hailie, I know you miss your mom And I know you miss your dad when I'm gone But I'm trying to give you the life that I never had I can see you're sad Even when you smile Even when you laugh I can see it in your eyes Deep inside, you wanna cry Cuz you're scared I ain't there? Daddy's with you in your prayers No more crying Wipe them tears Daddy's here No more nightmares We gonna pull together through it We gon' do it Laney, uncle's crazy ain't he? Yeah but he loves you girl and you better know it We're all we got in this world When it spins When it swirls When it whirls When it twirls Two little beautiful girls Looking puzzled, in a daze I know it's confusing you Daddy's always on the move Mama's always on the news I try to keep you sheltered from it But somehow it seems, the harder that I try to do that the more it backfires on me All the things, growing up As daddy that he had to see Daddy don't want you to see But you see just as much as he did That we did not plan it to be this way You're mother and me But things have got so bad between us I don't see us ever being Together ever again Like we used to be when was teenagers But then of course Everything always happens for a reason I guess it was never meant to be But it's just something ...
Giuseppe Tartini (1692-1770) L'arte dell'arco per flauto (violino) solo - Francis Colpron
Francis COLPRON, flauto dolce Giovedì 1 Settembre 2011, ore 21.00 GENOVA - Palazzo Tursi - Salone di Rappresentanza VIRTUOSISMI AL FLAUTO XVIII Festival Intrernazionale di Musca da Camera Genova, Savona, Torino e Mondovì dal 12 Giugno al 14 Settembre 2011
G. Tartini: Concerto for violin, strings & bc in G major (D 77) / L'Arte dell'Arco
GIUSEPPE TARTINI Concerto for violin, strings and basso continuo in G major (D 77) Date: 1750 I. Allegro - 0:05 II. Adagio - 6:09 III. Presto - 9:34 Carlo Lazari (solo violin) Giovanni Guglielmo (violin I) Federico Guglielmo (violin II) Mario Paladin (viola) Pietro Bosna (violoncello) Massimiliano Mauthe von Degerfeld (violone) Nicola Reniero (harpsichord) L'Arte dell'Arco / Giovanni Guglielmo (conductor) studiomusica.net 2004 Dynamic CDS.445/2 - DDD dynamic.it [on authentic instruments]
Ludwik Stefa?ski: Polonaise in G flat major, Op. posth. (Chopin)
Ludwik Stefa?ski (1917 - 1982) performs the Polonaise in G flat major, Op. posth.. Issued in 1960 on the Muza label, SX 0078. From the Dziela Wszystkie (Complete Works) series. Ludwik Stefanski was married to the Polish pianist, Halina Czerny-Stefanska. ---------------------------- Ludwik Stefa?ski (ur. 14 lipca 1917 w Krakowie, zm. 28 sierpnia 1982 w Krakowie) polski pianista, pedagog. By? jednym z muzycznego rodze?stwa (Krystyna skrzypaczka, Tadeusz pianista, Stanis?aw wiolonczelista, Miko?aj pianista). W latach 19321934 wraz ze swoim rodze?stwem, przebywa? na stypendium we W?oszech, gdzie uczy? si? gry na fortepianie u Nino Rossiego i kompozycji u Cezare Nordio. W 1938 wraz z rodzin? powróci? do kraju. W czasie wojny wyst?powa? na tajnych koncertach i udziela? lekcji gry na fortepianie. Po wojnie uczy? w Liceum Muzycznym i koncertowa? w duecie z ?on?, pianistk? Halin? Czerny-Stefa?sk? wyst?puj?c w kraju i za granic?. Od 1948 r. a? do ?mierci by? wyk?adowc? na Akademii Muzycznej w Krakowie. W 1970 r. otrzyma? tytu? profesora. Prowadzi? kursy mistrzowskie w Europie i Japonii. Wychowa? wybitnych pianistów. Jego uczniami byli m.in.: Kazimierz Kord, Krzysztof Penderecki, Krzysztof Missona, Bogus?aw Schaeffer, Ikuko Endo, Kevin Kenner, Okitaka Uchara, Ewa Bukojemska. Ludwik Stefanski (born July 14, 1917 in Cracow; died August 28, 1982 in Crakow), was a Polish pianist and teacher. He was one of four musical siblings (Christina, violinist, Tadeusz Stanislaw, pianist, and ...
Johann Sebastian Bach - Weihnachts-Oratorium - Herrscher des Himmels, erhöre das Lallen - 6/9
Johann Sebastian Bach "Weihnachts-Oratorium" ("The Christmas Oratorio"), BWV 248 III. Herrscher des Himmels, erhöre das Lallen (Cantata for the 3rd Day of Christmas): 24. Coro: Herrscher des Himmels, erhöre das Lallen. 25. Evangelista: Und da die Engel von ihnen. 26. Chorus: Lasset uns nun gehen gen Bethlehem. 27. Recitative (Bass): Er hat sein Volk getröst. 28. Choral: Dies hat er alles uns getan. 29. Aria Duetto (Soprano, Bass): Herr, dein Mitleid, dein Erbarmen. 30. Evangelista: Und sie kamen eilend und funden beide. 32. Recitative (Alto): Ja, ja, mein Herz soll es bewahren. 33. Choral: Ich will dich mit Fleiß bewahren. 34. Evangelista: Und die Hirten kehrten wieder um. 35. Choral: Seid froh dieweil. 24 - Reprise. Herrscher des Himmels, erhöre das Lallen. Masters of Chorus Singing chorus Lev Kontorovich, chorus master The Kolobov Novaya Opera Theatre Orchestra Jan Latham-Koenig, conductor Moscow, 17.03.2011
VI. Bach: Weihnachtsoratorium / Herrscher des Himmels, erhöre das Lallen
Johann Sebastian Bach, 1685 - 1750 Weihnachtsoratorium, BWV 248 / Cantata III - Chorus: Herrscher des Himmels, erhöre das Lallen - Recitative: Und da die Engel von ihnen gen Himmel fuhren - Chorus: Lasset uns nun gehen gen Bethlehem - Recitative: Er hat sein Volk getröst't - Chorus: Dies hat er alles uns getan - Duetto: Herr, dein Mitleid, dein Erbarmen Claron McFadden, soprano Bernarda Fink, alto Christoph Genz, tenor Dietrich Henschel, bass Monteverdi Choir English Baroque Soloists Conducted by John Eliot Gardiner Videos list: Cantata I: Jauchzet, frohlocket! 1. youtube.com 2. youtube.com 3. youtube.com Cantata II: Und es waren Hirten 4. youtube.com 5. youtube.com Cantata III: Herrscher des Himmels, erhöre das Lallen 6. youtube.com 7. youtube.com Cantata IV: Fallt mit Danken, fallt mit Loben 8. youtube.com 9. youtube.com 10. youtube.com Cantata V: Ehre sei dir, Gott! gesiugen 11. youtube.com 12. youtube.com 13. youtube.com Cantata VI: Herr, wenn die stolzen Feinde schnauben 14. youtube.com 15. youtube.com - Bach: Brandenburg concerto no. 2 in F major, BWV 1047 youtube.com
JS Bach Cantata BWV 146 "Wir müssen durch viel Trübsal"
JS Bach Cantata BWV 146 "Wir müssen durch viel Trübsal" 1. Sinfonia Organo, Oboe I/II, Taille, Violino I/II, Viola, Continuo 2. (Coro) Violino I/II, Viola, Continuo Wir müssen durch viel Trübsal in das Reich Gottes eingehen. 3. Aria A Violino, Continuo Ich will nach dem Himmel zu, Schnödes Sodom, ich und du Sind nunmehr geschieden. Meines Bleibens ist nicht hier, Denn ich lebe doch bei dir Nimmermehr in Frieden. 4. Recitativo S Violino I/II, Viola, Continuo Ach! wer doch schon im Himmel wär! Wie dränget mich nicht die böse Welt! Mit Weinen steh ich auf, Mit Weinen leg ich mich zu Bette, Wie trüglich wird mir nachgestellt! Herr! merke, schaue drauf, Sie hassen mich, und ohne Schuld, Als wenn die Welt die Macht, Mich gar zu töten hätte; Und leb ich denn mit Seufzen und Geduld Verlassen und veracht', So hat sie noch an meinem Leide Die größte Freude. Mein Gott, das fällt mir schwer. Ach! wenn ich doch, Mein Jesu, heute noch Bei dir im Himmel wär! 5. Aria S Flauto traverso, Oboe d'amore I/II, Continuo Ich säe meine Zähren Mit bangem Herzen aus. Jedoch mein Herzeleid Wird mir die Herrlichkeit Am Tage der seligen Ernte gebären. ------------------------------- SDG Gardiner
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir. Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion. LYRICS: Hallelujah hallelujah...
Musica sacra - Canticorum iubilo - GF Händel - Coral de L'AMCV - judas maccabeus
Concierto de la Coral de la Agrupación Musical de Cerdanyola del Valles (Barcelona, España,EU), en la Iglesia de San Martín. Concert of the Choral Music Association Cerdanyola del Valles (Barcelona, Spain, EU), in the Church of San Martín. Director: Manel Cubeles Martínez in excelsis" excelsis - Coral de l'AMCV (Barcelona) - Letra: Canticorum iubilo - Georg Friedrich Händel - Judas Macabeo Canticorum iubilo Regi magno psallite. Iam resultent musica, Unda, tellus, sidera. Canticorum iubilo Regi magno psallite. Personantes organis Iubilate, plaudite. - TRADUCCIÓN letra Canticorum iubilo - Georg Friedrich Händel Cantemos con júbilo al gran rey de las alturas. Que esta música resulte una ola que arma una estrella Cantemos con júbilo al gran rey de las alturas. Que suenen los órganos, aplaudamos, jubilosos "in excelsis" excelsis "música sacra" "Cerdanyola del Valles" "Sardañola del Valles" Sardañola Cerdanyola Barcelona España Spain religión "latin music" "a cappella" "religious music" concert church coral chorus "Spain choral music" "música sacra España" "Spain sacred music", judas maccabeus, "Judas Macabeo"
"The Bee" by Franz Anton Schubert played by 12 year old David Brill, Violin
This is a performance of "The Bee" (Die Biene) by Franz Anton Schubert (of Dresden, Germany, not the famous Franz Peter Schubert of Vienna, Austria) played on the violin by 12 year old David Brill, accompanied on the piano by Holly Small. This is a recording of a performance on December 12, 2009 in Orlando, Florida.
Rudolf Koelman plays 743 Notes in 1 minute(makes 12.3 Notes per second!) "Die Biene" from Franz Schubert (Dresden) Ferenc Bognar piano with flowers from Sardinia and Australia.
Part 2 - Around the World in 80 Days by Jules Verne (Chs 15-25)
Part 2. Around the World in Eighty Days Days by Jules Verne.Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Ralph Snelson. Playlist for Around the World in 80 Days by Jules Verne: youtube.com
Sonatina in F, Op. 168 No. 1 by A. Diabelli (movement 1)
Decided to try this classical piece. This is the 1st movement, marked Moderato cantabile composed by Austrian composer, Anton Diabelli. "He is most familiar today as the composer of the waltz on which Ludwig van Beethoven wrote his set of thirty-three Diabelli Variations". Quoted from Wikipedia. A very calming piece. Sorry this sonatina is cut up in pieces, but you can view the 2nd and 3rd movements that follow this video. Enjoy!
Alex (5) plays piano RCM Grade 3 Sonatina in G First Movement Moderato Ludwig van Beethoven
August 2011 - Alex is 5 years old. He plays Sonatina in G major Kinsky-Halm 5 No. 1 First movement Moderato after 2 weeks of practice. He wanted to learn this piece after listening to a CD - Beethoven Lives Upstairs.